Archive for

October, 2009

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Going in…

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… to NaNoWriMo madness.

I’m totally dumbfounded, disappointed and devastated to discover that this post, which I wrote yesterday morning as nano kickoff approached, didn’t get posted and didn’t even get saved in drafts. The header was there, but the post was empty! Where’d it go? Please don’t tell me Wordpress swallows posts!

It was a long one too, and I didn’t save it anywhere else. Waaaah. Lesson learned. I could have sworn I published it.

Onwards.

It’s NaNoWriMo, day one.

I was up at 6am because I knew I’d got a marathon to start and the story was keeping me awake. It was still dark outside when I brewed the first coffee of the day and fired up the computer.

Two hours later I had just over 2000 words so today’s target is met. Yeh! One down – 29 to go. And it’s still early in the day. I may well run over the 2000 daily target I’ve set myself. That’s all well and good providing I don’t get lazy through thinking I’m already ahead so can take it easy for a day. That will just set me on the slippery slope of being less productive rather than more. So, with that thought in mind I have to set my sights on a minimum of 2000 a day, not allowing surplus words to be carried over, although words owing will be.

I’ve got a rough outline on this story, as previous posts in the writing diary will show, but I can see that the edges of the outline are already a little smudged and by the time I’m through nanowrimo they’ll be rubbed out almost completely. That’s okay. Outlines are there to be bent, twisted and ultimately broken. They’re a rough guide to get the story started without becoming prison walls that can’t be scaled.

This is my first nano, (well, my first serious one) and it’s a long time since I’ve written to this kind of deadline and in this volume. I’ve been trogging along quite happily writing a couple of hundred words of fiction here and there on the days when I fancied doing it, writing nothing if the mood didn’t grab me, and interspersing the whole haphazard thing with dribs and drabs of nonfiction. That is not the way to be a writer. Not the kind of writer I want to be at any rate. Each to their own.

So, it’s NaNoWriMo or bust during November.

Scene Shuffle

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554 words today, and a couple of thousand since I last posted.

I’ve got some serious rearranging going on and am fighting the impulse to go back to the beginning and start revising.

What I’m doing instead is making notes to myself about what needs to be changed, rearranging and writing new scenes for further down the line, and continuing to try and meet my target word count each day.

As far as that’s concerned, I’m not doing it on a daily basis, but I am keeping up with output if you take the word count over several days. That’s okay with me.

I’m learning more about my people and where they come from, what drives them and how they got to where they are.

Writing is an organic process. It can tie your head in knots if you let it. I’m trying hard not to let it, or at least not to tie and tangles I can’t untie later.

Creative Writing in Torrox Pueblo

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Do you live in or around the  Torrox area of Spain?

Do you like to write, or would you like to start writing? Would you like to meet with fellow writers to learn more about the craft and get  constructive criticism and feedback on your works-in-progress?

Come and join in the fun at Writing Out Loud, a new writers’ club starting in November 2009, then continuing in January 2010.

Dates – Writing Out Loud Club

2nd November

First Hour – Writing Dialogue (see below for details) Workshop

Second Hour – Readings and feedback on WIPs, novel segments or short stories.

16th November

First Hour – Story Development (see below for details) Workshop

Second Hour – Reading and feeback on WIPs, novel segments or short stories

Each workshop costs €15 and will include light refreshments.

Writing Dialogue Workshop

We’ll look in detail at written conversations, practise conveying vital information through use of dialogue alone, and finally develop the written dialogue into a full narrative. This is a lead, informative workshop comprising discussion of techniques, handouts, and written exercises.

Story Development Workshop

A lead, informative workshop comprising discussion of techniques and written exercises. We start with a basic scenario and work through various methods of develpment including ways of surprising the reader and maybe even finding the ‘twist in the tail’.

If you’d like more information on the Writing Out Loud Club, please use the contact form and I’ll get back to you asap.

Write What You Love to Write

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When you’re writing your heart out, hammering the keyboard at every spare moment to turn out the stories you hope will one day be published… when you’re studying the markets, reading the back issues, sending for guidelines and scouring the web… when you’re doing all these things, sometimes it’s easy to get lost in the mire.

It’s easy to forget why you started writing in the first place.

What was it that first inspired you to sit down and write about non-existent people, often in non-existent places, doing imaginary things and getting into pretend danger?

Was it a dream of fame and fortune? That one day you’d be up there in the bestsellers lists with people camping overnight outside the shop when your next book was launched?

Did you see yourself being interviewed on TV, with viewers hanging on your every word and wannabe writers listening intently for the one nugget of wisdom that would set them on their own path to fortune?

Or was it, as it is for most of us, more down to earth and humble?

A simple love of storytelling and the reading of a good story. The joy of watching words appear on the screen as your fingers fly, the sheer satisfaction of crafting a piece of make-believe that readers will weep over, laugh through, and carry with them in their minds for a while.

Most of us start writing just because we love to do it. Many of us don’t even consider that we’ve got something important to say. We just want to tell a story, and tell it well.

We start out by writing what we love. We don’t pay too much attention to what we’re going to do with it once it’s written. The writing is enough.

Then somewhere along the line, the magic starts to become the master. “Have you tried to get this published,”? someone might ask.

And you’re suddenly on the treadmill.

Writing now becomes work, rife with disappointment and rejection. Friends love your stories but publishers hate them. You can’t break in.

So it starts.

You read back issues, you study the market, you send for guidelines. You write some more. You think, this doesn’t work so maybe if I do it like this it will be better. You change your style, you question your subject, your genre, your very ability.

What once brought joy now brings tears and frustration. Maybe, you think, you can’t write at all. Maybe you should just give it up.

But… maybe, just maybe, you need to take a step back and write again just for the love it.

Forget what the others are writing and publishing. You are you, so write it your way. Write it like you did at the beginning when it was just for fun and just because you loved to do it.

Never let the business of writing spoil the joy of writing.

Because if you do, you’ll stop writing. Putting words on the page will become an exercise in self-abuse. You’ll beat yourself up over every long paragraph and every split-infinitive. You’ll reject every idea because you think there will always be a better one hidden deeper in your imagination if only you can dig far enough.

There might be, but today’s idea is good too so fly with it.

Write what you love. Write because you want to. Write the way you wrote when you first decided that writing was cool, and first realised what a kick you got out of it.

Write from the heart, like you used to.

Fearless Interviewing For Writers

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One of the most terrifying words in a beginning-writer’s vocabulary, and one that’s responsible for striking fear into many a learner-writer’s heart is… interview.

Interview is such an emotive word.

We all hate job interviews. School leavers are put through the wringer by mock interview sessions. How to sit. How to speak. Maintain eye contact. Ask the right questions. Know something about the company. Don’t fidget. Portray confidence. There are so many rules that it’s almost a science in it’s own right.

Going for an interview is horrible.

What is it that’s scary? I’ll place my money on the word itself. Interview.

Okay, so how about if we remove the word. Don’t interview people. But, I hear you say, if I don’t interview them how am I going to get them to talk to me?

Easy. Instead of interviewing them, you’re going to have a little chat with them.

I know a man who made a very good living as a salesman. He loved his job and was very successful. What was his secret? It could be summed up in one simple sentence that he used when describing his job: “I drive around, go and see people, and have a little chat with them.”

So, as a writer, instead of getting bogged down in the whole heavy interview syndrome, you ditch the word interview from your vocabulary completely. You don’t interview, you have little chats.

It makes the whole process so much more accessible and friendly.

Look at it this way, forget for a moment that you’re a writer who needs some information for a piece you’re trying to sell. Instead, you’re a private individual who simply needs to know more about a subject.

Supposing you’re writing a piece on the latest developments in the diagnosing and treatment of dyslexia.

If your child was dyslexic, where would you start to get her some help? Your doctor? Yes, you might start there. What about her school? That would also be a good starting place.

If you chose the school, you’d ring up the switchboard and ask who you needed to speak to. Then you’d contact that person, explain what you wanted and who you were, and ask for advice.

The thought of going in there and ‘interviewing’ the people who could help you wouldn’t even cross your mind.

You need some information and are asking for it. That’s reasonable, isn’t it?

Of course, as a writer working on an article you won’t pretend it’s your child who’s dyslexic, you’ll just say you’re “writing a piece on dyslexia and need to find out how schools deal with the problem. Can you have a chat with someone who knows?”

Believe me, it works.

For instance, I was once working on a piece and really needed to speak to the fiction editor at a major UK magazine. I really needed a direct quote from her for my article. No one else would do.

I was terrified. Me, a beginner, totally unknown, interview an editor at one of the top mags? My initial reaction was, ‘get real, why would she speak to me?’

I somehow imagined that she would bite my head off and give me a good lecture about how busy she was and how dared I disturb her with my petty requests? And that was even supposing I managed to get her attention in the first place.

But I needed her, so I tackled it this way: First I phoned the switchboard and said, “I’m writing an article and need to speak briefly to the fiction editor (I did mention her name but I’m not saying here). When would be the best time for me to phone to have a quick chat with her?” (I also said what the piece was about and why she was the only person who could help)

The receptionist was very pleasant. She told me which days the editor was in the office and suggested I phone back then.

So far so good. At least the receptionist hadn’t scolded me for being so presumptuous.

I phoned back on the suggested day, again frightened half out of my wits. But I kept the ‘chat’ idea firmly in mind.

In the end it took a few phone calls before I got to the lady herself. The first time she was busy, but I was encouraged to ring back. The second time she was on the other phone, but my number was taken and, amazingly to my novice mind, she actually phoned me!

Stunned that she’d bother, I quickly pulled myself together and explained who I was and what I was doing, and asked if she could spare a few minutes for a quick chat to give me her opinion on the topic.

She gave me roughly ten minutes (far longer than I hoped for) and was more than helpful. She offered information I hadn’t even thought to ask for, and was free with her opinions. The whole ‘chat’ was relaxed, friendly and informal, although I have to say professional and to the point.

One important thing to bear in mind when adopting this ‘chat’ route, is that it’s not like chatting with friends. You need to stick to the point, ask your questions, (yes, you do still need to know what information you want and how best to ask for it), listen carefully to the answer, then move on.

It was still nerve wracking, but the sting was taken out of the experience because I had previously convinced myself that all I wanted was a little talk with her. What did she think? Could she explain?

It was so easy, and she was so helpful, that I really kicked myself for being so scared about it.

Next time you need an ‘expert’, try it for yourself.

Forget interviewing. It’s a horrible, scary, thing. Instead just phone up and ask for a quick chat. It’s so much more friendly.