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Scrivener and The Pale Ones

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The Pale Ones are now in Scrivener and I’m faced with the task of organising the scenes and getting to grips with the story again.

Since the end of nano I’ve done very little fiction writing. Not because I didn’t want to, but because I picked up quite a bit more ‘work for hire’ than I normally do and that kept me busy with nonfiction.

But the Pale Ones are nagging. They want their story told and I want to tell it. So I need to get back on track and figure out where we go from here.

Scrivener does make the task of importing a WIP easy. Previously I was using yWriter, and while it’s a great writing tool, it doesn’t quite do what I want or present the work in the way I want it. So the first task was to get the POs out of yWriter and into Scrivener. Simplicity itself. Both programmes behaved perfectly. YWriter exported neatly into .rtf, and Scrivener picked it up effortlessly when asked to do so.

I ended up with a very long single file in Scrivener, which seeing as I’m working in scenes, was no good at all. Scrivener promises that breaking up long files is a simple matter, and it is. Just put the curser in the file where you want to the break and tell Scrivener to make the break. Everything before the break is put into into its own little scene section, and everything beyond the break stays together in the long file. You can select text at the beginning of the break to use as the scene title which makes later identification much easier. In a matter of minutes I’d run through the whole 60k odd word count and recreated the scene sections.

My next task is to organise my Scrivener index cards on the corkboard. I have scenes out of sequence, scenes I no longer need because of changes further on in the story, and scenes which, frankly, just aren’t doing the job they were supposed to do.

I’ve got to pin down my ‘sentence lites’, (Think Sideways jargon), or should that be ’sentences lite?’ and relearn/rethink my story arc. I’ve been away from the story for long enough to have forgotten a lot of what I’ve written which is both good and bad. Good because I can read it back with a fresher eye, and bad because it feels jut a bit like someone else’s story and I’m half afraid that when I try to get reacquainted with it I won’t like it anymore.

Hopefully Scrivener is going to make my task easier. Apart from the normal frustrations of learning a new programme, (and an irrational fear that by clicking buttons and experimenting I’m going to break either my story or Scrivener) my first few days with it have only made me more glad to have it.

How to Win NaNoWriMo

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nano_09_winner_120x240There’s no doubt that nanowrimo is a hard slog. No matter now determined you are at the beginning of the month, by half way through you’re flagging, and by midway through the 20s of November you’re beginning to wonder how to win nanowrimo and if it’s really possible.

At least that was my experience. But I did win. Yeh!!! Last night I romped home with 16 words over the 50K finishing line, and reckoned that was good enough. I got a huge kick out of seeing that winners page flash up and realised yep, I managed to win nanowrimo. Very satisfying. And now, after a good nights sleep, I’m looking back and wondering how on earth I did it.

It was easy enough to start with. The story was fresh, my characters were not much more than new-born babes with all their potential still untapped. My shiny new outline seemed infallible and all I had to do was write in order to win nanowrimo. That was the first week.

By the second week I could see the cracks beginning to appear, and the first realisations that if I was indeed going to win nanowrimo I was going to have to do more than write. I was going to have to come up ways to skirt round gaping plot holes (no time to mix the replots that would fill them in) and tame misbehaving characters who, as they started to grow up, wanted all their own way. I started jumping around in the story, writing the best bits first rather than dangling like carrots to write towards. Better to get 2000 words of a tempting scene than 500 of one I was fighting with.

The third week saw me resorting to writing in ten minute bursts. This wasn’t new to me, and I knew once that timer was set and running I’d write until it pinged. Sometimes these spurts took me in unplanned directions and often they were good directions. When the words were coming and I could see how they could be tied into the earlier part of the story, even if they were unplanned, I started believing I could win nanowrimo.

Determination played a big part. I held a huge carrot in front of my face with the promise of Mac laptop if I made it. No words, no mac. That easy. I’m sure it helped.

The final week was pure slog. My story stopped making sense to the extent that I became convinced every word was total dross. Even if I did somehow manage to win nanowrimo, the words I’d written would be useless and every one would have to be discarded. I became certain I’d wasted a perfectly good month on worthless wordy rubbish. But so close to the finish, I couldn’t let it go. So, ten minutes here and there. Jump into part two of the novel before I was really ready and deal with the final stages of part one in flashback. Move forward, always move forward.

If a part of the story got stuck, I wrote the next part, even if I couldn’t see how to get the two ends to meet.

But I did win nanowrimo, and guess what? My story is not lost in a sea of worthless words. My random scenes and abupt switches between acts do make sense, and I have a much stronger novel that I first anticipated. I’m surprised. And pleased.

I’m not finished with this novel yet, as I plan it be around 90K words. But having put it through the nano mill I feel it’s really kickstarted and I’ve got something solid to work with.

Nano Update

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It doesn’t get any easier, in fact keeping up with nano word count gets harder. It’s very easy to slip behind and once that happens it’s an uphill slog to get caught up again.

I’m full of admiration and wonder for people who’ve already hit the magic 50K  and there are plenty who’ve gone past it.

Me? I’m hoving in the 30Ks but still determined to get that little winner badge for this site. I have to write 2000 words a day to keep on track. This gives me a little buffer each day, but not much, as I’ve discovered to my cost when I’ve missed the odd day or so for one reason or another.

Another reason I’m struggling at the moment is that I have run out of planned scenes. I thought I had enough to see me sailing happily over the 50K line, but that was in outline and not in reality. As we all know, outlines change, and mine has done a happy snake dance from the beginning, leading me in all sorts of directions I hadn’t planned on. Some have been good diversions, others I know will have to come out in edit.

Today saw me winding up the first act and moving into the second, and that has given me a second wind. My people are now in a different location, with a different set of problems and are about to enter a whole new world, literally. It should be fun, and a couple of them are already beginning to show their true, and previously hidden, colours.

It’s the home stretch – and I WILL do it.

How to beat nano burnout

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It’s day 21 of NaNoWriMo, and I’ve got to admit, I’m feeling the strain. Nano burnout is creeping up on me fast so I’ve had to devise a few sneaky methods of coaxing the words out.

  1. Do tens. By this I mean write in ten minute bursts with a timer set so you don’t go over. Burnout happens when you’re just getting too much, even of a good thing, so by limiting the amount you get you can trick your mind into wanting more. It does work. Don’t be sceptical and just dismiss it. Try it first. You’ll be surprised how many words you can write in ten minutes when ten minutes is all you’ve got.
  2. Jump around in the story. For linear writers this is hard because we want to write methodically and logically through the story. But when you feel a nano burnout coming on and you really just cannot bear to pick it up, make yourself jump ahead a few chapters and write a scene from much further on. Maybe there’s one that’s been beckoning to you ever since you started writing and you’re looking forward to writing it. Write it now. Give yourself a treat.
  3. Give the pov to someone else. When you’ve been living in the constant company of someone it can get wearing. And that applies to those fictional ’someones’ too. A change of conversation, a new topic, a fresh perspective and revitalise the muse and hold the burnout at bay. So try handing the POV to a minor character and find out what they think about the situation.
  4. Write scene summaries. Okay, we’re scratching now, but when your eyes are tired and you just don’t want to do it anymore, give the actual story writing a rest. Ask yourself what’s going to happen next? What if…? Get a couple of ideas along the lines of ’suppose George sold Anne’s car without her knowing, what would she do?’ and write what would happen in the scene if that event took place. Your novel might take off again in a totally new direction, or you might think, nah, the original way was best. Either way you’ve given the muse something else to consider and burnout is pushed back a bit. At least for another day or two.

Nano is a hard slog, I’m finding. I can’t wait to slow the pace and give myself some thinking room again. I’m holding back the burnout that’s threatening me, but only just, and I’m using the tricks above to do it.

How about you? Got any special methods for combating nano burnout?

Inspiration on the Beach

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I haven’t written a single word today, but the work I have done on my novel paves the way to a lot more words in the very near future.

Ever sinced I started this journey I have had a big problem in that I didn’t understand how a very important part of the story worked. Not knowing this vital one thing didn’t stop me starting, because I knew I’d get it figured out sooner or later, and sometimes it’s better to just to get going and let the silent muse do its work in the background.

Still, I was getting closer to the place where I was going to have to use the unknown part of the story.

Today I went and sat by myself on an almost deserted beach, with no sound other than the hypnotic lull of the waves on the shore. I sat for a while with a notebook and pen, pondering on the problem but not really pushing anything. If a thought came into my mind, I wrote it down. I jotted a cluster around the word ‘cornia’ and the word ‘gate’. I let ideas come and wrote them down, no matter how ‘off the wall’ or ‘off topic’ they seemed, including the phrase ‘joining hand and heart’ which still doesn’t seem to fit anywhere – yet.

But suddenly I realised I was seeing a pattern. It was one of those glorious eureka moments that come along every so often on the creative journey and just take your breath away. Part of me wanted to run up the beach shouting ‘I’ve got it, I’ve got it’. And the best part of it is, it doesn’t undo any of the work I’ve done so far. It uses all the original ideas I had, including the bizarre and the impossible things that attracted me to the idea in the first place.

And, even better, it’s based on known science and technology, just amplified, magnified and given a twist. I’m extremely pleased.

Was it the beach? Was it the unfamiliar writing territory (I usually write indoors) or was it just that the muse had ‘cooked’ the idea and was ready to serve it?

I don’t know. But, wow, suddenly I understand a little bit of my puzzle that had been evading me since the beginning.

Will I be taking my writing onto the beach again? You bet.